Posts Tagged ‘ANTHROPOCENE: The Human Epoch’
A man-made landscape is writ large on the screen in Anthropocene: The Human Epoch
By David D’Arcy | The Art Newspaper After its US premier at the Sundance Film Festival in Utah, the visually stunning documentary heads to Berlin The deep brown curves of a strip mine in New Mexico seem like contours of a woven carpet. So do the rows of a palm oil plantation in Borneo alongside a…
Read MoreInside the “Anthropocene” Film
By Jade Begay | Sierra Magazine Do you ever look at your phone and wonder where the materials for the device came from, how they were excavated, and how that process may or may not have contributed to the collapse of life as we know it here on planet Earth? The thought only crosses my mind…
Read MoreThis Green Earth – February 5, 2019 Nicholas de Pencier
KPCW Radio During the second half of the show, Chris and Nell spoke with Nicholas de Pencier, one of the filmmakers of ANTHROPOCENE, which just screened as a feature documentary at the Sundance Film Festival. The film is described as a cinematic meditation on humanity’s massive re-engineering of the planet. Amidst stunning imagery , the…
Read MoreAlicia Vikander-Narrated Climate Change Doc ‘Anthropocene’ Nabbed by Kino Lorber
By Etan Vlessing | Hollywood Reporter The Canadian film, by directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky, is set for a September theatrical release. The Canadian documentary Anthropocene: The Human Epoch, narrated by Oscar winner Alicia Vikander, has had its U.S. rights nabbed by Kino Lorber. The climate change film that explores the human impact on…
Read MoreSeville International licences ‘Anthropocene: The Human Epoch’ to Kino Lorber (exclusive)
By Jeremy Kay | Screen Daily Seville International announced from Sundance on Tuesday (29) it has licensed US rights on Anthropocene: The Human Epoch to Kino Lorber and struck key additional international sales. The documentary from Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky is the first acquisition by Kino Lorber in association with Kanopy, the free streaming…
Read More“Filming in 44 Locations in 22 Countries on Six Continents”: DP Nicholas de Pencier on Anthropocene: The Human Epoch
Filmmaker Magazine DP Nicholas de Pencier has long collaborated with his wife, director Jennifer Baichwal, on her projects. One of their most acclaimed films, Manufactured Landscapes, was a profile of large-format landscape photographer (and fellow Canadian) Edward Burtynsky. Now, on Anthropocene: The Human Epoch, Burtynsky moves from subject to collaborator on a large project tackling nothing less…
Read More“Anthropocene: The Human Epoch” Beautifully portrays the horrors of man’s new era
By Pamela Powell | Reel Honest Reviews ⭐️⭐️⭐️⭐️ “Anthropocene: The Human Epoch” is the third film by Jennifer Baichwal and Edward Burtynsky to address the environment, preceded by “Manufactured Landscapes” (2006) and “Watermark” (2013). The film, narrated in layman’s terms by Alicia Vikander, gives us a stunning visual education of our current world’s state as we…
Read More“I was Amazed That We Got Permission to Film in Russia”: Directors Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky | Anthropocene – The Human Epoch
Filmmaker Magazine Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators.…
Read MoreThe Sundance Reel – January 25, 2019 Anthropocene; The Human Epoch
By Leslie Thatcher & Barb Bretz | KPCW On today’s #TheSundanceReel, Directors Jennifer Baichwal, Ed Burtynsky, and Nicholas de Pencier talk about Anthropocene: The Human Epoch, in the Spotlight category. Listen here.
Read MoreSUNDANCE FILM REVIEW: ANTHROPOCENE: THE HUMAN EPOCH
By Alexander Ortega | Slug Magazine ANTHROPOCENE: THE HUMAN EPOCH SUNDANCE FILM FESTIVAL Directors: Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky Imagine yurt-like structures made of elephant tusks. Then shift your vision to bright-green pools of lithium in a middle-of-nowhere desert, with pipes flowing the alien-looking liquid from one area to an adjacent one. Grimy machinery…
Read MoreSundance 2019 Women Directors: Meet Jennifer Baichwal – “Anthropocene: The Human Epoch”
By Sophia Stewart | Women and Hollywood Jennifer Baichwal has been directing and producing documentaries for over 20 years. Her award-winning films include “Let It Come Down: The Life of Paul Bowles,” “Watermark,” and “Act of God.” Her film “Manufactured Landscapes” was named as one of 150 Essential Works In Canadian Cinema History by the Toronto…
Read MoreSoaking up Sundance: Canadian creators are Utah-bound
By T’cha Dunlevy | Montreal Gazette The Sundance Film Festival, and its irreverent offshoot Slamdance, are coveted launch pads for any media project, as confirmed by the Canadian creators who will be travelling to Park City next week. Quebec auteurs are well served this year, with virtual-reality stars and Sundance regulars Felix & Paul premièring two…
Read MoreToronto Film Critics name Anthropocene the year’s best Canadian film
By Norm Wilner | NOW Toronto But co-directors Jennifer Baichwal and Nicholas de Pencier surprised the room by giving away the $100,000 cash prize The Toronto Film Critics Association awarded Anthropocene: The Human Epoch the Rogers best Canadian film award – and a cash prize of $100,000 – last night. It’s a despairing documentary about humanity’s devastation of…
Read MoreANTHROPOCENE grabs $100,000 Rogers Best Canadian Film Award
By Bruce Demara | Toronto Star ANTHROPOCENE: The Human Epoch, a film that chronicles humankind’s devastating impact on the environment, has been awarded the $100,000 Rogers Best Canadian Film Award by the Toronto Film Critics Association. The award, the biggest annual prize in Canadian cinema, was given to filmmakers Jennifer Baichwal and Nicholas de Pencier at the association’s…
Read MoreShow, don’t tell Beautiful environmental documentary opts for powerful visuals over facts and figures
By Alison Gilmor | Winnipeg Free Press The saturated colours, the rhythmic patterns, the sublime scale: Seen through the estheticizing lens of Canadian photographer Edward Burtynsky, open-pit mines, mineral evaporation ponds and oil refineries take on a strange dystopian beauty. It’s disturbing that environmental devastation should be so stunning, but that’s the controversial paradox at the…
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